Monday, September 22, 2014

New works on paper

Here are a few pieces on paper I've made over the last month:

Monday, June 23, 2014

Two figure studies

After spending a few months painting abstracts, I've decided to return to the figure. Here are two new works on paper. The shapes in these pieces will most likely inform the next series of abstracts I make.

Thursday, June 19, 2014

Archival, limited-edition prints

I'm offering signed, limited-edition giclée prints of the following pieces. I print on archival Canson Photographique rag 310/m2 paper. The sheets measure 22"x17". Editions of 20 with one artist proof. Please email me at for inquiries.

"Portraits"  2012

"In the center of the world"  2013

"Reclining man"  2013

"For Rumi"  2014

"The pushing away pulls you in"  2013

"Willem"  2013

"Every angel is terror"  2014

"Divine separation"  2013

"Permanence lost"  2014

Friday, June 13, 2014

Permanence Lost

I've been reading Blake's The Book of Urizen. This new series draws inspiration from it. It's titled Permanence Lost. Each painting measures 14"x11". Silk and encaustic on panel.

Monday, June 9, 2014

Every Angel is Terror

Here are a few pieces I've been working on. The series is titled Every Angel is Terror. The name is a line from a Rumi poem I recently read. Each measures 20"x16". Encaustic and silk on panel.

Thursday, June 5, 2014

Works on paper

I've decided to explore working with line:

I'm using a paper support rather than a wood panel. I like the rough edges. These are more figurative than than the recent abstracted work I've been making. It's refreshing to go back to the figure.

Tuesday, April 29, 2014

Opening reception for Transmutation

I'm hosting a three-person show at my studio. I'm showing with two other wonderful artists: Linda Serrone Rolon and Alkan Nallbani. The opening is on Thursday, May 8th, from 6 to 10pm. If you're in the NYC area, please come by!

The show will be up through Saturday, May 10th. 11am-6pm.

Press release:


Please Join Us Thursday, May 8, 6-10pm

Christie Studio, 67 Greene Street, 3rd floor

New York City

Please accept this invitation to view the works by Linda Serrone Rolon, Bryan Christie, and Alkan Nallbani and their connection to Transmutation.  
Linda Serrone Rolon's elements of Transmutation are a conversion of life, material, and imagination.  Rolon has been painting Mother and Child as subject long before she even thought about being a mom.  Each interpretation is a reflection of her own personal experience and a deep connection to others’ stories of being a mother and/or a child.  “It is the surface that I need to keep clean and smooth. That feeling to make a terrible situation perfect, like in cinema—its nostalgic effort to turn an image into a life lesson.” From the boroughs of NYC, Rolon continues to work in Brooklyn with family in tow and has retired parts of her life to reconnect with the community in the only way she knows how (through her art).
Bryan Christie’s work explores the spectrum of human experience. "Our lives start with trauma as we are brought into the world from the safety of our mother's womb. We eventually die, experiencing the loss of all that is dear to us. Yet transcendence and the experience of the sublime are rooted in this fleeting material existence. The divine is made evident through tangible and sensual experience; without our physical selves, we would not experience moments of wonder and the mysterious." 
His work is an attempt to transform the lasting effects of his post-traumatic stress disorder from childhood abuse into a message of acceptance, love, and compassion. He ultimately believes that "the human body can express spiritual truths, and my work seeks to inspire a visceral experience of the ultimate love, truth, and beauty that lies in the heart of our world."
Christie’s paintings are created from multiple layers of silk bound together with encaustic, mounted on wooden panels. Many of the figures’ poses are derived from ancient classical sculpture and Renaissance paintings. Christie is inspired by these historical works because of the interplay between our flesh-and-blood existence and something less tangible—our soul.
Alkan Nallbani’s work presents simple images intended to suggest universal themes – humanity, sexuality, environment – raising questions about our existence along the continuum of time.  “My journey from repression to freedom is essential to, and provides the context for, my work but does not constrain it.  Although I cannot remain indifferent to the indelible mark imprinted upon me by such experiences, it is not specifically my identity as an Albanian or immigrant that interests me, but rather the transformative nature of the immigrant experience, inextricably linked with its timeless themes of dislocation, and the continuous challenge of humanity.”